this Thursday
9 pm
7/8/2005
(RAINDANCE)
WITH JIMMY HALPERIN / sax, LARRY MEYER / guitar
CHRIS CARROL /drums AND DOMINIC DUVAL / bass
Mixed Notes Cafe
333 Elmont Road
Elmont, New York 11003
516 328-2233
9.7.05
17.6.05
FIRE HOUSE 12
47 CROWN STREET
NEW HAVEN CT.
203-785-0478
Joe McPhee and TrioX Friday, June 17, 2005
8:00:00 PM
Admission : $10
Login to Add this Event to Your Calendar
Performers
Joe McPhee
Joe McPhee brings TrioX to the Firehouse. With Dominic Duval and Jay Rosen
Message forum for "Joe McPhee and TrioX" 0 Messages
47 CROWN STREET
NEW HAVEN CT.
203-785-0478
Joe McPhee and TrioX Friday, June 17, 2005
8:00:00 PM
Admission : $10
Login to Add this Event to Your Calendar
Performers
Joe McPhee
Joe McPhee brings TrioX to the Firehouse. With Dominic Duval and Jay Rosen
Message forum for "Joe McPhee and TrioX" 0 Messages
6.6.05
Improvising in the Arts/Improvising Between the Arts
June 3-5
A PI (Project on Improvisation) Event, Prof. Eric Lewis, Director, McGill Univ.
www.mcgill.ca/improv
Tentative Schedule
Thus, June 2
Pre-Conference Party, 4880 Esplanade
Fri., June 3
McGill Univ., Cultural Studies Building
Kyra Gaunt, 9-10:15
Toni Blackman, 10:30-11:45
Gary Hagberg, 12- 1:15
Lunch
Leo Smith, 2:30-3:45
Constance Valis Hill, 4:00-5:15
Dominic Duval time ?
Evening Performance, Toni Blackman plus guests, 9:00, Sala Rossa
Sat. June 4
McGill Univ., Faculty of Music
Georgina Born, 9:30-11:00
Robert O’Meally, 11:15-12:45
Lunch
Ingred Monson, 2:15-3:45
Amiri Baraka, 4:5:30
Evening Performance, Leo Smith, 9:00, Sala Rossa
Sun June 5
Participants Brunch, Sala Rossa, 10:00
CCA (Canadian Centre for Architecture)
Bill Dixon, John Heward, Sylvia Safdie plus guests. Video presentation, performance demonstrations and roundtable discussion on Inter-art improvisation, 1:00-5:00
Evening Performance, Amiri Baraka
with Undersound / joe mcphee, john heward and dominic duval , 9:00, Sala Rosa
June 3-5
A PI (Project on Improvisation) Event, Prof. Eric Lewis, Director, McGill Univ.
www.mcgill.ca/improv
Tentative Schedule
Thus, June 2
Pre-Conference Party, 4880 Esplanade
Fri., June 3
McGill Univ., Cultural Studies Building
Kyra Gaunt, 9-10:15
Toni Blackman, 10:30-11:45
Gary Hagberg, 12- 1:15
Lunch
Leo Smith, 2:30-3:45
Constance Valis Hill, 4:00-5:15
Dominic Duval time ?
Evening Performance, Toni Blackman plus guests, 9:00, Sala Rossa
Sat. June 4
McGill Univ., Faculty of Music
Georgina Born, 9:30-11:00
Robert O’Meally, 11:15-12:45
Lunch
Ingred Monson, 2:15-3:45
Amiri Baraka, 4:5:30
Evening Performance, Leo Smith, 9:00, Sala Rossa
Sun June 5
Participants Brunch, Sala Rossa, 10:00
CCA (Canadian Centre for Architecture)
Bill Dixon, John Heward, Sylvia Safdie plus guests. Video presentation, performance demonstrations and roundtable discussion on Inter-art improvisation, 1:00-5:00
Evening Performance, Amiri Baraka
with Undersound / joe mcphee, john heward and dominic duval , 9:00, Sala Rosa
6.3.05
5.3.05
"Live Concert with McPhee/Duval"
Featuring: Joe McPhee, Dominic Duval
/ Slought.org / Information /
Philadelphia Location
SLOUGHT FOUNDATION
4017 Walnut Street
Philadelphia, PA 19104-3513
Phone: 215 222 9050
Event Date: Wednesday, March 02, 2005; 8:00-10:00pm
Location: Slought Foundation | Contact Info, Directions
Program Fee: $12.00 | Reservation not required.
Free Exchange Series | Organized by Mark Christman
Co-presented with ars nova workshop
Description: Please join us at Slought Foundation on Wednesday, March 2, 2005 from 8:00-10:00pm for a live concert by McPhee and Duval, with Joe McPhee on alto/tenor saxophone and pocket trumpet, and Dominic Duval on Hutchins bass.
A rare doubler - equally at ease on brass and woodwind - Joe McPhee (b. 1939) was first heard on Clifford Thorton's 'Freedom and Unity' (Third World, 1967). Founding the CjR recording label in 1969 with artist Craig Johnson, McPhee (as a leader) recorded 'Underground Railroad', 'Trinity', and 'Nation Time'. By 1974, Swiss entrepreneur Werner X. Uehlinger, so engaged by McPhee's underground recordings, started Hat Hut records to release his work, eventually releasing the seminal 'Tenor' solo concert in 1976. Following early collaborations with Pauline Oliveros, McPhee's interests in extended technique and electronics were influenced by the theories of "deep listening." Re-emerging in the 1990s, McPhee has attracted wider attention from the North American creative jazz community, recording prodigiously on recording labels such as CIMP, Okkadisk, Music & Arts, and Victo, as well as beginning a fruitful relationship with Chicago reedman Ken Vandermark. Most recently, he has recorded with the Peter Brotzmann Chicago Tentet, Trio X, DJ Spooky, Oliveros' Deep Listening Band, and Mats Gustafsson's The Thing.
Few musicians are more dedicated to the principles of free improvisation than bassist Dominic Duval. He has a prodigious technique; Duval plays the bass like an elongated guitar, with fast lines and textures. Rather than provide a low-pitched harmonic/rhythmic foundation, Duval more often than not plays like a horn player, interacting freely with other members of the ensemble. Best know for his extensive work with Cecil Taylor, Duval has also recorded with Trio X, Marshall Allen, Mark Whitecage, Frank Lowe, and John Oswald.
Featuring: Joe McPhee, Dominic Duval
/ Slought.org / Information /
Philadelphia Location
SLOUGHT FOUNDATION
4017 Walnut Street
Philadelphia, PA 19104-3513
Phone: 215 222 9050
Event Date: Wednesday, March 02, 2005; 8:00-10:00pm
Location: Slought Foundation | Contact Info, Directions
Program Fee: $12.00 | Reservation not required.
Free Exchange Series | Organized by Mark Christman
Co-presented with ars nova workshop
Description: Please join us at Slought Foundation on Wednesday, March 2, 2005 from 8:00-10:00pm for a live concert by McPhee and Duval, with Joe McPhee on alto/tenor saxophone and pocket trumpet, and Dominic Duval on Hutchins bass.
A rare doubler - equally at ease on brass and woodwind - Joe McPhee (b. 1939) was first heard on Clifford Thorton's 'Freedom and Unity' (Third World, 1967). Founding the CjR recording label in 1969 with artist Craig Johnson, McPhee (as a leader) recorded 'Underground Railroad', 'Trinity', and 'Nation Time'. By 1974, Swiss entrepreneur Werner X. Uehlinger, so engaged by McPhee's underground recordings, started Hat Hut records to release his work, eventually releasing the seminal 'Tenor' solo concert in 1976. Following early collaborations with Pauline Oliveros, McPhee's interests in extended technique and electronics were influenced by the theories of "deep listening." Re-emerging in the 1990s, McPhee has attracted wider attention from the North American creative jazz community, recording prodigiously on recording labels such as CIMP, Okkadisk, Music & Arts, and Victo, as well as beginning a fruitful relationship with Chicago reedman Ken Vandermark. Most recently, he has recorded with the Peter Brotzmann Chicago Tentet, Trio X, DJ Spooky, Oliveros' Deep Listening Band, and Mats Gustafsson's The Thing.
Few musicians are more dedicated to the principles of free improvisation than bassist Dominic Duval. He has a prodigious technique; Duval plays the bass like an elongated guitar, with fast lines and textures. Rather than provide a low-pitched harmonic/rhythmic foundation, Duval more often than not plays like a horn player, interacting freely with other members of the ensemble. Best know for his extensive work with Cecil Taylor, Duval has also recorded with Trio X, Marshall Allen, Mark Whitecage, Frank Lowe, and John Oswald.
4.3.05
4.1.05
VO to premiere new work by Marty Ehrlich at NYC Bahai Center 1/04/05.
The Sound Vision Orchestra is pleased to announce our premiere of A Trumpet in the Morning, a new work for improvising orchestra by Marty Ehrlich, commissioned by SVO with funding from the Individual Artists Program of the New York State Council on the Arts. The performance will take place at 8:00 PM on Tuesday 4 January 2005 in the John Birks Gillespie Auditorium of the New York City Bahai Center, located at 53 East 11th Street (between Broadway and University Place).
The concert will feature Ehrlich`s work on a program including compositions
written for the Sound VisionBrass Ensemble by
Jeff Hoyer and for the Sound Vision Orchestra by Warren Smith.
The ensemble performing these works will include:
Stephen Haynes, Taylor Ho Bynum and Sam Hoyt (trumpets)
Jeff Hoyer and Bob Hovey (trombones), Joseph Daley (tuba)
Bobby Zankel and Will Connell (alto saxophones)
Andrew Lamb (tenor saxophone) Scott Currie (baritone saxophone)
J. D. Parran (soprano and bass saxophones)
Mark Hennen (piano) Dominic Duval (contrabass)
Warren Smith (percussion), and Jackson Krall (drums)
Admission for the entire evening will be $15; for advance ticket purchase, please contact the Bahai Center at (212) 222-5159. Interested new-music enthusiasts are also invited to a special limited-seating open rehearsal at New York University on Saturday 18 December 2004. Admission for this event is free but advance reservations are required; please contact Scott Currie (scott@svo-ny.org) for further information and reservations.
These events are made possible with public funds from the New York State Council on the Arts, a State agency, as well as the invaluable support of Jazz @ Bahai Center and the New York University FAS Music Department.
The Sound Vision Orchestra is pleased to announce our premiere of A Trumpet in the Morning, a new work for improvising orchestra by Marty Ehrlich, commissioned by SVO with funding from the Individual Artists Program of the New York State Council on the Arts. The performance will take place at 8:00 PM on Tuesday 4 January 2005 in the John Birks Gillespie Auditorium of the New York City Bahai Center, located at 53 East 11th Street (between Broadway and University Place).
The concert will feature Ehrlich`s work on a program including compositions
written for the Sound VisionBrass Ensemble by
Jeff Hoyer and for the Sound Vision Orchestra by Warren Smith.
The ensemble performing these works will include:
Stephen Haynes, Taylor Ho Bynum and Sam Hoyt (trumpets)
Jeff Hoyer and Bob Hovey (trombones), Joseph Daley (tuba)
Bobby Zankel and Will Connell (alto saxophones)
Andrew Lamb (tenor saxophone) Scott Currie (baritone saxophone)
J. D. Parran (soprano and bass saxophones)
Mark Hennen (piano) Dominic Duval (contrabass)
Warren Smith (percussion), and Jackson Krall (drums)
Admission for the entire evening will be $15; for advance ticket purchase, please contact the Bahai Center at (212) 222-5159. Interested new-music enthusiasts are also invited to a special limited-seating open rehearsal at New York University on Saturday 18 December 2004. Admission for this event is free but advance reservations are required; please contact Scott Currie (scott@svo-ny.org) for further information and reservations.
These events are made possible with public funds from the New York State Council on the Arts, a State agency, as well as the invaluable support of Jazz @ Bahai Center and the New York University FAS Music Department.
1.9.04
BILL DIXON QUARTET
August 31 at 8:00 & 10:00 PM
at The Baha'i Center
The Baha'i Center located at 53 East 11th Street between Broadway & University, www.bahainyc.org $15(students $10)
8:00 & 10:00 PM
Bill Dixon with Dominic Duval, Tony Widoff, and Warren Smith. The Festival of New Trumpet Music is proud to present Bill Dixon, organizer and producer of the October Revolution in Jazz in New York City in 1964, architect of the Jazz Composers' Guild (for the performance of contemporary American Black Music) in New York City in 1964, and founder of the Black Music Division of Bennington College
August 31 at 8:00 & 10:00 PM
at The Baha'i Center
The Baha'i Center located at 53 East 11th Street between Broadway & University, www.bahainyc.org $15(students $10)
8:00 & 10:00 PM
Bill Dixon with Dominic Duval, Tony Widoff, and Warren Smith. The Festival of New Trumpet Music is proud to present Bill Dixon, organizer and producer of the October Revolution in Jazz in New York City in 1964, architect of the Jazz Composers' Guild (for the performance of contemporary American Black Music) in New York City in 1964, and founder of the Black Music Division of Bennington College
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